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Well my friend, I know the tests that you conducted about this topic and I did not dispute your finding then as a professional courtesy, but I will now.
We are exclusively using passive baluns from VU. I know that your test results has shown than this passive balun was not conforming to your requirements, but I have test results that actually came from the manufacturer that can challenge your findings, but I chose at that time not to bring forward. Your test results were not considering the major fact of the quality of the cable used, rather analysis of the loss of video signal using passive baluns. Did you actually try the same exact tests using the same exact passive baluns with different manufacturer CAT5e cables? I know that you did not, as you used the same cable and with different baluns for your tests.
All our CAT5e cables come from ADC (Advanced Digital Cable), which we also use exclusively, and passive baluns from VU... and comfortably run 1,500' straight runs without any loss of video quality. Any cable lengths higher than 1,500', we use active baluns from various manufacturers. This is a fact and we use it daily and without any problems!
So you are saying that the over 40% losses of sync, luminance and composite video levels and over 90% loss of color burst levels have no impact on the video? By what means of measurement? And the issue then was not to test different cable manufacturers' cables but to compare different manufacturers' baluns. That test still holds since it showed there was effectively no difference between the passive baluns. I don't understand why you took our tests as an indictment of the Video Baluns Unlimited baluns since I showed that they performed equally to baluns which sell for far more.
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West Penn was our exclusive supplier for over 20 years and guess what, when they dropped the quality of the cable on both RG59 and CAT5e and not including the fact that they raised the pricing tremendously, we had no choice to find another manufacturer and not a supplier... ADC produces excellent quality cable and the produce per order. When we go through over 250,000' of cable usage per month and with excellent results, they leave West Penn or similar companies in the dust because they do not short change on materials. They may not be as large as West Penn, but they make much better cable than most of such companies in the market.
The above comments are based on facts and not on assessments on other company's quotes!
Facts? They are based on your opinions only. Whether you have a problem with West Penn or not, the industry in general recommends against the use of RG-59 for runs longer than 750 ft. without resorting to "cable compensation". And that assumes the use of 20 gauge RG-59. If you want to run longer lengths, that is your perrogative.
My guess is that for many applications, your customers would not notice any defect in the video at that length since they would not have any basis for comparison. The same goes for running 1,500 ft. of twisted-pair using passive-passive baluns. I can tell you that we can certainly tell the difference between the picture quality at 1,000 ft. and at 1,500 ft. using exactly the same baluns, cable, cameras and monitors. If you can't, perhaps you need better measuring or monitoring equipment..
By the way, a few sources that specify both 750 ft. and 1000 ft. limitations on RG-59 also state that the 750 ft. limit applies to color and the 1000 ft. limit to monochrome cameras. That makes a lot of sense because the 3.58MHz color burst would have the greatest losses attributable to cable capacitance versus the lower frequency sync and composite signals, which would be more affected by DC resistance.